Robert Burks
1909–1968 · 21 titles in the catalogue
From Wikipedia, the free encyclopedia
Robert Burks, A.S.C. (July 4, 1909 – May 11, 1968) was an American cinematographer known for being proficient in virtually every genre and equally at home with black-and-white or color.
Burks began his career as a special effects technician in the late 1930s before becoming a director of photography in the mid-1940s. His first credit in this field was Jammin' the Blues (1944), a short film featuring leading jazz musicians of the day.
Burks collaborated with Alfred Hitchcock on twelve of the director's films. Beginning with Strangers on a Train in 1951 (which secured him an Oscar nomination) through Marnie in 1964, he shot every Hitchcock film except Psycho in 1960. Additional credits include The Fountainhead, Beyond the Forest, The Glass Menagerie, The Spirit of St. Louis, The Music Man, and A Patch of Blue.
Burks and his wife died in a house fire in 1968 in Huntington Harbor, California.
Their work
21
Rear Window1954Director of Photography
Vertigo1958Director of Photography
North by Northwest1959Director of Photography
The Birds1963Director of Photography
Dial M for Murder1954Director of Photography
Strangers on a Train1951Director of Photography
To Catch a Thief1955Director of Photography
The Man Who Knew Too Much1956Director of Photography
Marnie1964Director of Photography
Arsenic and Old Lace1944Special Effects
The Trouble with Harry1955Director of Photography
The Wrong Man1956Director of Photography
Key Largo1948Special Effects
I Confess1953Director of Photography
House of Wax1953Other
Hondo1953Director of Photography
The Music Man1962Director of Photography
The Fountainhead1949Director of Photography
The Spirit of St. Louis1957Director of Photography
A Patch of Blue1965Director of Photography
The Enforcer1951Director of Photography