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Robert Burks

1909–1968 · 21 titles in the catalogue

From Wikipedia, the free encyclopedia

Robert Burks, A.S.C. (July 4, 1909 – May 11, 1968) was an American cinematographer known for being proficient in virtually every genre and equally at home with black-and-white or color.

Burks began his career as a special effects technician in the late 1930s before becoming a director of photography in the mid-1940s. His first credit in this field was Jammin' the Blues (1944), a short film featuring leading jazz musicians of the day.

Burks collaborated with Alfred Hitchcock on twelve of the director's films. Beginning with Strangers on a Train in 1951 (which secured him an Oscar nomination) through Marnie in 1964, he shot every Hitchcock film except Psycho in 1960. Additional credits include The Fountainhead, Beyond the Forest, The Glass Menagerie, The Spirit of St. Louis, The Music Man, and A Patch of Blue.

Burks and his wife died in a house fire in 1968 in Huntington Harbor, California.

Their work

21
  1. Rear Window1954Director of Photography
  2. Vertigo1958Director of Photography
  3. North by Northwest1959Director of Photography
  4. The Birds1963Director of Photography
  5. Dial M for Murder1954Director of Photography
  6. Strangers on a Train1951Director of Photography
  7. To Catch a Thief1955Director of Photography
  8. The Man Who Knew Too Much1956Director of Photography
  9. Marnie1964Director of Photography
  10. Arsenic and Old Lace1944Special Effects
  11. The Trouble with Harry1955Director of Photography
  12. The Wrong Man1956Director of Photography
  13. Key Largo1948Special Effects
  14. I Confess1953Director of Photography
  15. House of Wax1953Other
  16. Hondo1953Director of Photography
  17. The Music Man1962Director of Photography
  18. The Fountainhead1949Director of Photography
  19. The Spirit of St. Louis1957Director of Photography
  20. A Patch of Blue1965Director of Photography
  21. The Enforcer1951Director of Photography